Le Ciné-Rentrée
21.08.2024
Ces films libérés des contraintes de la narration explorent différentes techniques pour créer leurs propres formes d’expression. Un laboratoire d’images.
These films, free from the constraints of traditional narrative, explore different techniques to create their own forms of narrative expression. A laboratory of images.
DIVISIONAL ARTICULATIONS | MAX HATTLER | CHINE, UK, ALLEMAGNE | 2017 | 4’33’’
THE TRAIN, THE FOREST | PATRICK BÜHR | ALLEMAGNE | 2017 | 3’20’’
BOY TRANSCODED FROM PHOSPHENE | RODRIGO FAUSTINI DOS SANTOS | BRÉSIL | 2017 | 2’03’’
DOWN ESCALATION | SHUNSAKU HAYASHI | JAPON | 2018 | 6’40’’
FINITY CALLING | JASPER KUIPERS | PAYS-BAS, BELGIQUE | 2018 | 15’
SO I DANCED AGAIN… | LOTTIE KINGSLAKE | UK | 2017 | 4’38’’
UNIDENTIFIED | CHING-HSUAN LIN | TAIWAN | 2017 | 4’19’’
PRESENCE ABSENCE | IOLANDA DI BONAVENTURA | ITALIE | 2018 | 5’26’’
VIVALDI VVINTER | THEODORE USHEV | JAPON, CANADA, BULGARIE | 2018 | 10’
LA CHUTE | BORIS LABBÉ | FRANCE | 2018 | 14’22’’
DREAMLAND | MIRAI MIZUE | FRANCE, JAPON | 2017 | 5’
METAMORPHOUS: MOUNTAINS AND STREAMS | KEITA KUROSAKA | JAPON | 2017 | 10’15’’
FAUSSE ROUTE | FRANÇOIS VOGEL | FRANCE | 2017 | 5’ WAVES | VOJTECH DOMLÁTIL | RÉPUBLIQUE TCHÈQUE | 2017 | 3’
WAVES | VOJTECH DOMLÁTIL | RÉPUBLIQUE TCHÈQUE | 2017 | 3’